Paisajes Complejos. Hacia una nueva cartografía artística
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Abstract
Arte generativo es el término que reciben
una serie de obras de arte algorítmicamente
determinadas y generadas por ordenadores.
Paisajes complejos capaces de generar infinitas
variaciones utilizando como medio sistemas
químicos, biología, mecánica y robótica,
materiales inteligentes, aleatoriedad manual,
matemáticas, datos cartografiados y simetrías,
entre otros. Estos referentes asientan sus bases
conceptuales en las teorías del Pensamiento
Complejo, y su visualización en el uso de redes.
En las últimas décadas, la sociedad actual
ha pasado de un modelo de conocimiento
jerárquico, basado en una estructura arbórea, a
otro fundamentado en principios rizomáticos.
En el plano epistemológico, este nuevo patrón
introduce la problemática del Pensamiento
Complejo como clave para poder organizar
y gestionar la gran cantidad de información
a la que estamos expuestos. Pero, ¿cómo
visualizar esta complejidad? La network o red
puede considerarse un modelo estructural
y organizativo que impregna casi todas
las áreas del conocimiento y que permite
encontrar patrones coherentes que expliquen
las conexiones significativas que conlleva
la cantidad ingente de información que
producimos y administramos en la actualidad.
Complejidad y redes como metodología
para visualizar la gramática de datos e
información sobre la que se sustenta una serie
de instalaciones artísticas que investigan la
complejidad del paisaje contemporáneo.
Generative art is the term that receives a series of art works determined algorithmically and generated by computers. Complex landscapes capable of generating infinite variations using as medium chemical systems, biology, mechanics and robotics, intelligent materials, manual randomness, mathematics, cartographic data and symmetries, among others. These referents settle their conceptual bases on theories of Complex Thought and their visualization in the use of networks. In recent decades, our society has moved from a hierarchical model of knowledge, based on a tree structure, to another based on rhizomatic principles. On the epistemological level, this new pattern introduces the problem of Complex Thought as the key to organize and manage the large amount of information to which we are exposed. But, how to visualize this complexity? The network can be considered a structural and organizational model that permeates almost all areas of knowledge and that enables to find coherent patterns that explain the meaningful connections that carries the huge amount of information we produce and manage today. Complexity and networks as a methodology to visualize the data grammar and information on which a series of artistic installations that research the complexity of the contemporary landscape are based.
Generative art is the term that receives a series of art works determined algorithmically and generated by computers. Complex landscapes capable of generating infinite variations using as medium chemical systems, biology, mechanics and robotics, intelligent materials, manual randomness, mathematics, cartographic data and symmetries, among others. These referents settle their conceptual bases on theories of Complex Thought and their visualization in the use of networks. In recent decades, our society has moved from a hierarchical model of knowledge, based on a tree structure, to another based on rhizomatic principles. On the epistemological level, this new pattern introduces the problem of Complex Thought as the key to organize and manage the large amount of information to which we are exposed. But, how to visualize this complexity? The network can be considered a structural and organizational model that permeates almost all areas of knowledge and that enables to find coherent patterns that explain the meaningful connections that carries the huge amount of information we produce and manage today. Complexity and networks as a methodology to visualize the data grammar and information on which a series of artistic installations that research the complexity of the contemporary landscape are based.
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Bibliographic reference
Pizarro, E. (2017). Paisajes Complejos. Hacia una nueva cartografía artística, REIA: Revista Europea de Investigación en Arquitectura, (9), 83-96. http://reia.es/REIA09_05_EstherPizarro.pdf








