La fiesta de los antropófagos: sobre La hora del lobo (Bergman, 1968)
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Abstract
Proponemos una lectura de la fiesta en la cinta La hora del lobo (Vargtimmen, 1968) como un espacio privilegiado
en el que se articula con total claridad la psicosis de su protagonista. Nuestro objetivo será analizar
cómo se construye la conexión entre la heterotopía foucaultiana (la fiesta como espacio paralelo en el que
podemos asumir una nueva Ley) y la crisis del sujeto masculino incapaz de escapar de las demandas de su
propio deseo.
This paper propounds a reading of the party that takes place in the film Hour of the wolf (Vargtimmen, 1968). The party is read as a privileged space where the protagonist's psychosis is very clearly articulated. The aim of the paper is to analyze the way the film constructs a connection between Foucault's heterotopia (festivity as a parallel space in which a new Law can be assumed) and the crisis in the masculine subject, a subject who is unable to escape from the demands of his own desire.
This paper propounds a reading of the party that takes place in the film Hour of the wolf (Vargtimmen, 1968). The party is read as a privileged space where the protagonist's psychosis is very clearly articulated. The aim of the paper is to analyze the way the film constructs a connection between Foucault's heterotopia (festivity as a parallel space in which a new Law can be assumed) and the crisis in the masculine subject, a subject who is unable to escape from the demands of his own desire.
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Serrano, A. R. (2009). La fiesta de los antropófagos: sobre La hora del lobo (Bergman, 1968). Trama y fondo: revista de cultura, (27), 73-86.




