Fisión semántica y postproducción: conexiones (y diferencias) entre dos técnicas imaginariooperativas de proyecto en la ETSAM
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Calvo Basarán, Juan
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La fisión semántica y las técnicas
postproductivas utilizadas en la ETSAM,
respectivamente, en la labor docente
llevada a cabo por Juan Daniel Fullaondo
y en las investigaciones desarrolladas por
Federico Soriano, en su Unidad Docente
26, constituyen dos maneras específicas de
abordar el proyecto de arquitectura y de
entender la relación con las vanguardias
(en el caso de Fullaondo) y con los nuevos
instrumentales gráficos informáticos y
digitales que se emplean en la producción
arquitectónica (en el caso de Soriano). Ambos
pretenden enfrentarse, desde la docencia,
a la pluralidad de situaciones generadas
por la crisis (para Fullaondo, la de los años
sesenta, y, para Soriano, la actual), esbozando
caminos que las propias generaciones
venideras de arquitectos están llamadas a
desarrollar. El presente artículo explora la
operatividad de estas técnicas, señalando,
por un lado, sus conexiones y diferencias, y,
por el otro, planteando preguntas (más bien
que proporcionando respuestas) acerca de sus
posibles implicaciones.
The semantic fission and the postproductive techniques used at ETSAM, respectively, throughout the teaching work carried out by Juan Daniel Fullaondo and the research developed by Federico Soriano, in his Teaching Unit 26, represent two specific ways of approaching the architecture project and of understanding the link with the vanguards (in the case of Fullaondo) and with the new computer and digital graphic tools that are used in architectural production (in the case of Soriano). Both pretend to face, from an educational point of view, the plurality of situations generated by the crisis (for Fullaondo, that of the sixties and, for Soriano, the current one) by outlining paths that the coming generations of architects are called to explore. This paper delves into the operativity of these techniques, pointing out, on the one hand, their connections and differences, and, on the other, raising questions (rather than providing answers) about their possible implications.
The semantic fission and the postproductive techniques used at ETSAM, respectively, throughout the teaching work carried out by Juan Daniel Fullaondo and the research developed by Federico Soriano, in his Teaching Unit 26, represent two specific ways of approaching the architecture project and of understanding the link with the vanguards (in the case of Fullaondo) and with the new computer and digital graphic tools that are used in architectural production (in the case of Soriano). Both pretend to face, from an educational point of view, the plurality of situations generated by the crisis (for Fullaondo, that of the sixties and, for Soriano, the current one) by outlining paths that the coming generations of architects are called to explore. This paper delves into the operativity of these techniques, pointing out, on the one hand, their connections and differences, and, on the other, raising questions (rather than providing answers) about their possible implications.
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Calvo Basarán, J. (2020). Fisión semántica y postproducción: conexiones (y diferencias) entre dos técnicas imaginariooperativas de proyecto en la ETSAM. REIA: Revista Europea de Investigación en Arquitectura, (16), 9-30. http://reia.es/REIA16_01_ALTA.pdf



